McBaine Documentary Feature
I Didn’t See You There—GGA Winner
Reid Davenport, USA
Master of Light—GGA Winner
Rosa Ruth Boesten, USA, Netherlands
Children of the Mist
Diễm Hà Lệ, Vietnam
The Exiles
Violet Columbus, Ben Klein, USA, Taiwan, France, China
Fire of Love
Sara Dosa, USA, Canada
Jeannette
Maris Curran, USA
Mija
Isabel Castro, USA
No Simple Way Home
Akuol de Mabior, South Sudan, Kenya, South Africa
Riotsville, USA
Sierra Pettengill, USA
TikTok, Boom.
Shalini Kantayya, USA
New Directors Prize
Hit the Road—GGA Winner
Panah Panahi, Iran
Sublime—GGA Honorable Mention
Mariano Biasin, Argentina
Costa Brava, Lebanon
Mounia Akl, Lebanon, France, Spain, Sweden, Denmark, Norway, Qatar
Fire on the Plain
Zhang Ji, China
The Gravedigger’s Wife
Khadar Ayderus Ahmed, Finland, Germany, France
The Hill Where Lionesses Roar
Luàna Bajrami, Kosovo, France
Palm Trees and Power Lines
Jamie Dack, USA
Sonne
Kurdwin Ayub, Austria
Animated Short
Sierra—GGA Winner
Sander Joon, Estonia
Charlotte
Zach Dorn, USA
How Small!
Charlene Xu, USA, China
Letter to a Pig
Tal Kantor, France, Israel
Life Is a Particle Time Is a Wave
Daniel Zvereff, USA
Documentary Short
Long Line of Ladies—GGA Winner
Shaadiin Tome, Rayka Zehtabchi, USA
Holding Moses—GGA Winner
Rivkah Beth Medow, Jen Rainin, USA, Japan
Anshan Diaries
Charles Xiuzhi Dong, China, USA
For Love and Legacy
A.K. Sandhu, USA
Miss Panama
Pascale Boucicaut, Lamar Bailey Karamañites, David Felix Sutcliffe, USA, Panama
Nasir
Nasir Bailey, Jackson Kroopf, USA
Family Films
Battery Daddy—GGA Winner
Seung-bae Jeon, South Korea
The Ocean Duck—GGA Honorable Mention
Huda Razzak, USA
Dream Carriers
Esmeralda Hernandez, USA
Intervals
Mitchelle Tamariz, France
Mama Has a Mustache
Sally Rubin, USA
Mr. Spam Gets a New Hat
William Joyce, UK
‘Ohana and ‘Āina: Connecting Family, Farming, and Freedom
Jade Onaka, Joel Serin-Christ, USA
Space Race
Shane Dioneda, USA
The Trails Before Us
Fritz Bitsoie, USA
Mid-Lengths
The Time of the Fireflies—GGA Winner
Mattis Appelqvist Dalton, Matteo Robert Morales, Mexico, USA, Belgium
American Justice on Trial
Andrew Abrahams, Herb Ferrette, USA
Ayoungman
Larry Day, Holly Fortier, Canada
Mud Water
My-Linh Le, USA
My Dear
Aragon Yao, Portugal
Narrative Shorts
Busan, 1999—GGA Winner
Thomas Kim, South Korea
Half-Day—GGA Winner
Morgan Mathews, USA
Be Somebody
Edelawit Hussien, Ethiopia
Busan, 1999
Thomas Kim, South Korea
cosboi
Gosha Shapiro, USA
Live
Baggio Jiang, China
Successful Thawing of Mr. Moro
Jerry Carlsson, Sweden
New Visions
Listen to the Beat of Our Images—GGA Winner
Audrey Jean-Baptiste, Maxime Jean-Baptiste, France, French Guiana
Anxious Body
Yoriko Mizushiri, France, Japan
Ever Wanting (for Margaret Chung)
TT Takemoto, USA
Youth Works
Honeybee—GGA Winner
Emilio Vazquez Reyes, USA
Unzipped—GGA Honorable Mention
Jenna Miller, USA
Avi: From the North
Alex Maksagak, Canada
Beth Ava Bounds, UK
Freshman Year
Bea Hammam, Sydney Kaufman, USA
Incursion
Noah Lillywhite, Kai Willey, USA
Moments
Hurshida Sherkulova, Evgeniya Papina, Surayyo Tashpulatova, Uzbekistan
Performance Anxiety
Shaina Ocampo, USA
Pho
Ethan Chu, USA
Think Like a Filmmaker
Eli Berliner, USA
Cine Latino
The Employer and the Employee—GGA Winner
Manolo Nieto, Uruguay, Argentina, Brazil, France
The Box
Lorenzo Vigas, Mexico, USA
The Cow Who Sang a Song Into the Future
Francisca Alegría, Chile, France, USA, Germany
Lo Invisible
Javier Andrade, Ecuador, France
Mars One
Gabriel Martins, Brazil
Private Desert
Aly Murituba, Brazil
Sun & Daughter
Catalina Razzini, Bolivia, Spain, Germany
Festival Concierge
This position is no longer accepting applications.
Development Intern
This position is no longer accepting applications.
Digital & Social Content Coordinator
Overview
This position has been filled for the 2024 SFFILM Festival.
The Digital & Social Content Coordinator supports the content management and launch of the 2024 San Francisco International Film Festival (SFFILM Festival) website and social media content to promote the Festival. In collaboration with the Digital Marketing Manager and the Digital Content Manager, the Digital & Social Content Coordinator will support the updating of sffilm.org to its Festival environment from start to finish, then shift to social media content creation and posting. This role executes against project plans, marketing campaigns, creative briefs, style guides, and editorial guidelines.
This position is ideal for an early career digital marketing professional who has helped organizations update and maintain their website and has an excellent sense of owned and paid digital content. Weekly time in the SFFILM offices and at events will be required, so Bay Area based candidates are required.
This is a seasonal position with a start date of February 19, 2024 and an end date of May 2, 2024. This position is full-time, 40 hours per week and is paid hourly at the rate of $25 per hour and is eligible for limited, pre-approved overtime. Application review begins January 22 but will be rolling after that.
Responsibilities
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- Collaborate with the SFFILM Communications team on all marketing project plans and campaigns in service of revenue and engagement goals.
- Adhere to project budget, scope, schedule, resources, and approval workflows.
- Comply with legal requirements related to publishing approvals, copyrights, trademarks, photo credits, clearances, and privacy.
- In collaboration with the Digital Content Manager and Digital Marketing Manager, prepare reports on identified Social Media KPIs.
- Write and submit a wrap report.
- Website:
- Work with the Digital Marketing Manager to ensure the timely and accurate import of over 100 films’ metadata into WordPress.
- Collaborate with the digital team to ensure quality control of UTMs, Google Analytics reporting, SEO, and ad campaign timing.
- Support information gathering to build and price each film’s screening in our ticketing platform.
- Work with the Guest Office to launch the Festival guest portal in Squarespace.
- Collaborate with the Press Office Coordinator to ensure that each film’s assets and press materials are accessible to Press in a timely manner.
- Social Media:
- Post visual content and copy onto social media channels to drive audience engagement and festival ticket sales using SFFILM brand voice and tone.
- Proofread all social media materials and ensures compliance with SFFILM brand across all internal- and external-facing social content related to the Festival.
- Create, distribute, and track usage of social media toolkits.
- Monitor social channels to respond to and assist with customer support as needed, reshare partner and user generated content, and look for other opportunities to increase our presence.
- Monitor news, current events, and partners’ content to propose timely, relevant social media content and tactics.
- Attend events to capture photos, video, and live-tweet/cast as assigned.
- Work with Digital Content Manager to maintain editorial and social media calendars with accurate information.
- Support and improve all social media accounts.
Qualifications
- 2+ years of professional CMS management experience, WordPress preferred.
- 1+ year of database management experience. FileMaker preferred.
- Superb leadership, collaboration, and communication skills.
- Excellent organizational and time-management skills.
- Working knowledge of computer applications, including those involving: word processing, spreadsheets, PDF creation, photo and graphic editing, google docs.
- Experience with Adobe Creative Suite a bonus.
- Extreme attention to detail.
- Solid copywriting skills.
- Mobile phone photo and video skills.
- Experience with publishing on all major social media channels.
- Demonstrated ability to effectively prioritize multiple campaigns across social channels.
- Ability to anticipate changes, communicate promptly and efficiently and maintain flexibility.
- Experience with digital tools for content and project management including MailChimp, Basecamp, Planoly, and Google Apps.
- Logical and analytical approach to critical thinking and problem solving.
- A positive attitude and a collaborative team player.
- Passion for movies and festivals is a plus!
SFFILM is deeply committed to Diversity, Equity, Accessibility, and Inclusion (DEAI) in both its internal management and external programming. Since 2018, the organization has actively been working in collaboration with two Advisory Boards focused on accessibility and inclusivity and officially began work with a DEI consultant in 2019 to further invest in and build on that work. Candidates are invited to discuss their interest and involvement in DEAI practices in their cover letter, and ask us more about our DEAI process in their interview.
SFFILM, in accordance with federal and state law, is an equal-opportunity employer. SFFILM does not discriminate on the basis of race, color, national origin, religion, sexual orientation, gender identity, pregnancy/childbirth, medical condition, disability, age, ancestry, marital status, citizenship or veteran status. This nondiscrimination policy covers all candidates, staff members, interns, and volunteers.
Production Assistant
Overview
This position has been filled for the 2024 SFFILM Festival.
The two Production Assistants provide production support across all SFFILM Festival Operations teams, as scheduled by the Office and Production Manager. This includes pre-festival events, all venue load in and load outs, event set up and breakdown, and other tasks as needed.
This position is expected to provide on-site support for the 5 day, in-person SFFILM Festival (April 24 – 28) in venues across the San Francisco Bay Area, as well as several pre-fest launch events, and to work in accordance with in-office requirements as determined by organization-wide and department policies. Application review begins January 25 but will be rolling after that. The ideal start date for this position is April 15, 2024. This position is paid hourly at the rate of $24 per hour and is eligible for overtime. The end date for this role is May 2, 2024. Some night and weekend availability is required.
Responsibilities
- Support the build out of all festival venues, including our exhibition venues and the SFFILM Festival Lounge, with some light construction
- Pick up, deliver, and transport sponsored product pre-Festival
- Support the load in and load out of all festival venues and temporary spaces
- Set up / install festival signage at various festival venues
- Set up and break down press lines (red carpets, step and repeats, and lights) at venues and events throughout the festival
- Provide production support at events and parties, the Festival Lounge, and other areas of the festival as needed, including but not limited to light bartending, supporting event check in, and other duties as assigned
- Work with the Production Manager on the movement of all production equipment, furniture, product, materials, and green room provisions to various venues throughout the festival
- Support and provide educational opportunities for the Operations intern, including training interns on light production skills (such as setting up lights or how to safely and appropriately pack equipment)
- Load equipment back into year-round offices post-fest, making sure rentals are returned and owned inventory is accounted for and organized
Qualifications
- Ability to regularly move and lift heavy equipment
- Excellent communication, decision-making and creative problem-solving skills
- Professional attitude and demeanor
- Detail-oriented
- Ability to anticipate needs and take direction
- Ability to think and act quickly under pressure
- At ease interacting with people with vastly different backgrounds and roles
- Comfortable with long hours during festival
- Basic construction skills
- A valid driver’s license and clean driving record required – offer of this position will be contingent on approval by SFFILM’s insurance
- Comfort driving in Bay Area and knowledge of Bay Area geography is a plus
SFFILM is deeply committed to Diversity, Equity, Accessibility, and Inclusion (DEAI) in both its internal management and external programming. Since 2018, the organization has actively been working in collaboration with two Advisory Boards focused on accessibility and inclusivity and officially began work with a DEI consultant in 2019 to further invest in and build on that work. Candidates are invited to discuss their interest and involvement in DEAI practices in their cover letter, and ask us more about our DEAI process in their interview.
SFFILM, in accordance with federal and state law, is an equal-opportunity employer. SFFILM does not discriminate on the basis of race, color, national origin, religion, sexual orientation, gender identity, pregnancy/childbirth, medical condition, disability, age, ancestry, marital status, citizenship or veteran status. This nondiscrimination policy covers all candidates, staff members, interns, and volunteers.