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Uncategorized

Films in Competition

Presented at the Festival since its inaugural year in 1957, the Golden Gate Awards (GGAs) are among the most significant honors for emerging global film artists in the United States. Prizes are traditionally awarded in 12 narrative, documentary, mid-length, and short film categories.

McBaine Documentary Feature

I Didn’t See You There—GGA Winner
Reid Davenport, USA

Master of Light—GGA Winner
Rosa Ruth Boesten, USA, Netherlands

Children of the Mist
Diễm Hà Lệ, Vietnam

The Exiles
Violet Columbus, Ben Klein, USA, Taiwan, France, China

Fire of Love
Sara Dosa, USA, Canada

Jeannette
Maris Curran, USA

Mija
Isabel Castro, USA

No Simple Way Home
Akuol de Mabior, South Sudan, Kenya, South Africa

Riotsville, USA
Sierra Pettengill, USA

TikTok, Boom.
Shalini Kantayya, USA

New Directors Prize

Hit the Road—GGA Winner
Panah Panahi, Iran

Sublime—GGA Honorable Mention
Mariano Biasin, Argentina

Costa Brava, Lebanon
Mounia Akl, Lebanon, France, Spain, Sweden, Denmark, Norway, Qatar

Fire on the Plain
Zhang Ji, China

The Gravedigger’s Wife
Khadar Ayderus Ahmed, Finland, Germany, France

The Hill Where Lionesses Roar
Luàna Bajrami, Kosovo, France

Palm Trees and Power Lines
Jamie Dack, USA

Sonne
Kurdwin Ayub, Austria

Animated Short

Sierra—GGA Winner
Sander Joon, Estonia

Charlotte
Zach Dorn, USA

How Small!
Charlene Xu, USA, China

Letter to a Pig
Tal Kantor, France, Israel

Life Is a Particle Time Is a Wave
Daniel Zvereff, USA

Documentary Short

Long Line of Ladies—GGA Winner
Shaadiin Tome, Rayka Zehtabchi, USA

Holding Moses—GGA Winner
Rivkah Beth Medow, Jen Rainin, USA, Japan

Anshan Diaries
Charles Xiuzhi Dong, China, USA

For Love and Legacy
A.K. Sandhu, USA

Miss Panama
Pascale Boucicaut, Lamar Bailey Karamañites, David Felix Sutcliffe, USA, Panama

Nasir
Nasir Bailey, Jackson Kroopf, USA

Family Films

Battery Daddy—GGA Winner
Seung-bae Jeon, South Korea

The Ocean Duck—GGA Honorable Mention
Huda Razzak, USA

Dream Carriers
Esmeralda Hernandez, USA

Intervals
Mitchelle Tamariz, France

Mama Has a Mustache
Sally Rubin, USA

Mr. Spam Gets a New Hat
William Joyce, UK

‘Ohana and ‘Āina: Connecting Family, Farming, and Freedom
Jade Onaka, Joel Serin-Christ, USA

Space Race
Shane Dioneda, USA

The Trails Before Us
Fritz Bitsoie, USA

Mid-Lengths

The Time of the Fireflies—GGA Winner
Mattis Appelqvist Dalton, Matteo Robert Morales, Mexico, USA, Belgium

American Justice on Trial
Andrew Abrahams, Herb Ferrette, USA

Ayoungman
Larry Day, Holly Fortier, Canada

Mud Water
My-Linh Le, USA

My Dear
Aragon Yao, Portugal

Narrative Shorts

Busan, 1999—GGA Winner
Thomas Kim, South Korea

Half-Day—GGA Winner
Morgan Mathews, USA

Be Somebody
Edelawit Hussien, Ethiopia

Busan, 1999
Thomas Kim, South Korea

cosboi
Gosha Shapiro, USA

Live
Baggio Jiang, China

Successful Thawing of Mr. Moro
Jerry Carlsson, Sweden

New Visions

Listen to the Beat of Our Images—GGA Winner
Audrey Jean-Baptiste, Maxime Jean-Baptiste, France, French Guiana

Anxious Body
Yoriko Mizushiri, France, Japan

Ever Wanting (for Margaret Chung)
TT Takemoto, USA

Youth Works

Honeybee—GGA Winner
Emilio Vazquez Reyes, USA

Unzipped—GGA Honorable Mention
Jenna Miller, USA

Avi: From the North
Alex Maksagak, Canada

Beth Ava Bounds, UK

Freshman Year
Bea Hammam, Sydney Kaufman, USA

Incursion
Noah Lillywhite, Kai Willey, USA

Moments
Hurshida Sherkulova, Evgeniya Papina, Surayyo Tashpulatova, Uzbekistan

Performance Anxiety
Shaina Ocampo, USA

Pho
Ethan Chu, USA

Think Like a Filmmaker
Eli Berliner, USA

Cine Latino

The Employer and the Employee—GGA Winner
Manolo Nieto, Uruguay, Argentina, Brazil, France

The Box
Lorenzo Vigas, Mexico, USA

The Cow Who Sang a Song Into the Future
Francisca Alegría, Chile, France, USA, Germany

Lo Invisible
Javier Andrade, Ecuador, France

Mars One
Gabriel Martins, Brazil

Private Desert
Aly Murituba, Brazil

Sun & Daughter
Catalina Razzini, Bolivia, Spain, Germany

Festival Concierge

This position is no longer accepting applications.

Development Intern

This position is no longer accepting applications.

Digital & Social Content Coordinator

Overview

This position has been filled for the 2024 SFFILM Festival.

The Digital & Social Content Coordinator supports the content management and launch of the 2024 San Francisco International Film Festival (SFFILM Festival) website and social media content to promote the Festival. In collaboration with the Digital Marketing Manager and the Digital Content Manager, the Digital & Social Content Coordinator will support the updating of sffilm.org to its Festival environment from start to finish, then shift to social media content creation and posting. This role executes against project plans, marketing campaigns, creative briefs, style guides, and editorial guidelines.

This position is ideal for an early career digital marketing professional who has helped organizations update and maintain their website and has an excellent sense of owned and paid digital content. Weekly time in the SFFILM offices and at events will be required, so Bay Area based candidates are required.

This is a seasonal position with a start date of February 19, 2024 and an end date of May 2, 2024. This position is full-time, 40 hours per week and is paid hourly at the rate of $25 per hour and is eligible for limited, pre-approved overtime. Application review begins January 22 but will be rolling after that.

Responsibilities

    • Collaborate with the SFFILM Communications team on all marketing project plans and campaigns in service of revenue and engagement goals.
    • Adhere to project budget, scope, schedule, resources, and approval workflows.
    • Comply with legal requirements related to publishing approvals, copyrights, trademarks, photo credits, clearances, and privacy. 
    • In collaboration with the Digital Content Manager and Digital Marketing Manager, prepare reports on identified Social Media KPIs.
    • Write and submit a wrap report.
  • Website:
    • Work with the Digital Marketing Manager to ensure the timely and accurate import of over 100 films’ metadata into WordPress.
    • Collaborate with the digital team to ensure quality control of UTMs, Google Analytics reporting, SEO, and ad campaign timing.
    • Support information gathering to build and price each film’s screening in our ticketing platform.
    • Work with the Guest Office to launch the Festival guest portal in Squarespace.
    • Collaborate with the Press Office Coordinator to ensure that each film’s assets and press materials are accessible to Press in a timely manner.
  • Social Media:
    • Post visual content and copy onto social media channels to drive audience engagement and festival ticket sales using SFFILM brand voice and tone.
    • Proofread all social media materials and ensures compliance with SFFILM brand across all internal- and external-facing social content related to the Festival.
    • Create, distribute, and track usage of social media toolkits.
    • Monitor social channels to respond to and assist with customer support as needed, reshare partner and user generated content, and look for other opportunities to increase our presence.
    • Monitor news, current events, and partners’ content to propose timely, relevant social media content and tactics.
    • Attend events to capture photos, video, and live-tweet/cast as assigned.
    • Work with Digital Content Manager to maintain editorial and social media calendars with accurate information.
    • Support and improve all social media accounts.

Qualifications

  • 2+ years of professional CMS management experience, WordPress preferred.
  • 1+ year of database management experience. FileMaker preferred.
  • Superb leadership, collaboration, and communication skills.
  • Excellent organizational and time-management skills.
  • Working knowledge of computer applications, including those involving: word processing, spreadsheets, PDF creation, photo and graphic editing, google docs.
  • Experience with Adobe Creative Suite a bonus.
  • Extreme attention to detail.
  • Solid copywriting skills.
  • Mobile phone photo and video skills.
  • Experience with publishing on all major social media channels.
  • Demonstrated ability to effectively prioritize multiple campaigns across social channels.
  • Ability to anticipate changes, communicate promptly and efficiently and maintain flexibility.
  • Experience with digital tools for content and project management including MailChimp, Basecamp, Planoly, and Google Apps.
  • Logical and analytical approach to critical thinking and problem solving.
  • A positive attitude and a collaborative team player.
  • Passion for movies and festivals is a plus!

SFFILM is deeply committed to Diversity, Equity, Accessibility, and Inclusion (DEAI) in both its internal management and external programming. Since 2018, the organization has actively been working in collaboration with two Advisory Boards focused on accessibility and inclusivity and officially began work with a DEI consultant in 2019 to further invest in and build on that work. Candidates are invited to discuss their interest and involvement in DEAI practices in their cover letter, and ask us more about our DEAI process in their interview.

SFFILM, in accordance with federal and state law, is an equal-opportunity employer. SFFILM does not discriminate on the basis of race, color, national origin, religion, sexual orientation, gender identity, pregnancy/childbirth, medical condition, disability, age, ancestry, marital status, citizenship or veteran status. This nondiscrimination policy covers all candidates, staff members, interns, and volunteers.

Production Assistant

Overview

This position has been filled for the 2024 SFFILM Festival.

The two Production Assistants provide production support across all SFFILM Festival Operations teams, as scheduled by the Office and Production Manager. This includes pre-festival events, all venue load in and load outs, event set up and breakdown, and other tasks as needed.

This position is expected to provide on-site support for the 5 day, in-person SFFILM Festival (April 24 – 28) in venues across the San Francisco Bay Area, as well as several pre-fest launch events, and to work in accordance with in-office requirements as determined by organization-wide and department policies. Application review begins January 25 but will be rolling after that. The ideal start date for this position is April 15, 2024. This position is paid hourly at the rate of $24 per hour and is eligible for overtime. The end date for this role is May 2, 2024. Some night and weekend availability is required.

Responsibilities

  • Support the build out of all festival venues, including our exhibition venues and the SFFILM Festival Lounge, with some light construction
  • Pick up, deliver, and transport sponsored product pre-Festival
  • Support the load in and load out of all festival venues and temporary spaces
  • Set up / install festival signage at various festival venues
  • Set up and break down press lines (red carpets, step and repeats, and lights) at venues and events throughout the festival
  • Provide production support at events and parties, the Festival Lounge, and other areas of the festival as needed, including but not limited to light bartending, supporting event check in, and other duties as assigned
  • Work with the Production Manager on the movement of all production equipment, furniture, product, materials, and green room provisions to various venues throughout the festival 
  • Support and provide educational opportunities for the Operations intern, including training interns on light production skills (such as setting up lights or how to safely and appropriately pack equipment)
  • Load equipment back into year-round offices post-fest, making sure rentals are returned and owned inventory is accounted for and organized

Qualifications

  • Ability to regularly move and lift heavy equipment
  • Excellent communication, decision-making and creative problem-solving skills
  • Professional attitude and demeanor
  • Detail-oriented
  • Ability to anticipate needs and take direction
  • Ability to think and act quickly under pressure
  • At ease interacting with people with vastly different backgrounds and roles
  • Comfortable with long hours during festival
  • Basic construction skills
  • A valid driver’s license and clean driving record required – offer of this position will be contingent on approval by SFFILM’s insurance 
  • Comfort driving in Bay Area and knowledge of Bay Area geography is a plus

SFFILM is deeply committed to Diversity, Equity, Accessibility, and Inclusion (DEAI) in both its internal management and external programming. Since 2018, the organization has actively been working in collaboration with two Advisory Boards focused on accessibility and inclusivity and officially began work with a DEI consultant in 2019 to further invest in and build on that work. Candidates are invited to discuss their interest and involvement in DEAI practices in their cover letter, and ask us more about our DEAI process in their interview.

SFFILM, in accordance with federal and state law, is an equal-opportunity employer. SFFILM does not discriminate on the basis of race, color, national origin, religion, sexual orientation, gender identity, pregnancy/childbirth, medical condition, disability, age, ancestry, marital status, citizenship or veteran status. This nondiscrimination policy covers all candidates, staff members, interns, and volunteers.

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