Aug 7, 2017
Artist Development
San Francisco, CA — SFFILM announced today that two new screenwriting teams have been selected to receive Sloan Science in Cinema Filmmaker Fellowships, which will support the development of their narrative feature screenplays. Sloan Science in Cinema Filmmaker Fellowships are funded by the Alfred P. Sloan Foundation as part of their support of programs that cultivate and champion films exploring scientific or technological themes and characters. Under the auspices of its Artist Development program, SFFILM fellowships are awarded to filmmakers developing screenplays that tell stories related to science or technology.
SFFILM Sloan Science in Cinema Filmmaker Fellowships are awarded twice annually, and each includes a $35,000 cash grant and a two-month residency at FilmHouse, SFFILM’s suite of production offices for local and visiting independent filmmakers. Fellows will gain free office space alongside access to weekly consulting services and professional development opportunities. SFFILM will connect each fellow to a science advisor with expertise in the scientific or technological subjects at the center of their screenplays, as well as leaders in the Bay Area’s science and technology communities. In addition to the residency and grant, SFFILM’s Artist Development team will offer industry introductions to producers and casting, financing, and creative advisors—investing in fellows from early script development stages through to release. Additional filmmaker support programs include the SFFILM / Rainin Filmmaking Grant, the Documentary Film Fund and full-year FilmHouse residencies.
“We greatly value the partnership with the Alfred P. Sloan Foundation to support narrative filmmakers with science-related projects in development,” said SFFILM Director of Artist Development Caroline von Kühn. “With so many significant leaders in science and technology right here in our back yard in the Bay Area, we have a great opportunity to bring that talent into play to deepen these projects at this crucial early stage. Both Bell and Dark Web have first time narrative writer/director teams whose commitment to story and integrity to the sciences represent the type of work we intend to come through this program.”
“We are delighted to partner with SFFILM in awarding these two Sloan Science in Cinema Fellowships to Bell and Dark Web, two outstanding scripts about the role of technology in society, one from the 19th century and one that is totally contemporary,” said Doron Weber, Vice President and Program Director at the Alfred P. Sloan Foundation. “In a year that saw two successful Sloan-supported projects about female scientists and engineers—Hidden Figures and Bombshell: The Hedy Lamar Story—we are especially pleased that Bell, recipient of a previous Sloan grant, is written by two women and re-examines a great man of science through the lens of the key women in his life.”
Bell
Darcy Brislin and Dyana Winkler, co-writers
From the controversy surrounding his invention of the telephone to his lesser-known work with eugenics, this is the untold story of famed inventor Alexander Graham Bell, whose love for his deaf wife changed the course of history, both for the better and for the worse.
Currently based in Los Angeles, Darcy Brislin is a freelance writer and producer. She is the recipient of a number of fellowships, including the 2016 Sundance / Sloan Commissioning Grant, the 2017 Sundance Screenwriting Lab, the Kenyon Playwrights Conference, and the 20/20/20 Killer Films Residency lead by Christine Vachon and Pamela Koffler. Her feature screenplay Crown Chasers is in development at UTA, with Maria Bello attached to produce. She is currently assisting director Ondi Timoner on the production of Mapplethorpe, a biopic about the acclaimed photographer, starring Matt Smith and John Benjamin Hickey.
Dyana Winkler is a freelance filmmaker who produces, directs, shoots, edits, and writes for hire in Brooklyn, NY. Clients include JP Morgan Chase, Under Armour, the US Open, Outside Television, TV on the Radio, and more. Her most recent fiction screenplay, Bell, was awarded the 2016 Sundance / Sloan Commissioning grant and participated in the 2017 Sundance Screenwriter’s Lab. Her first feature length documentary, United Skates, is currently in postproduction and has received awards from the Sundance Institute, IFP, Chicken & Egg Pictures, Film Independent, The Fledgling Fund, New York State Council on the Arts, and California Humanities.
“We’re thrilled to complete the writing process of Bell with the support and guidance of the Alfred P. Sloan Foundation and SFFILM,” said Brislin and Winkler in a statement. “We couldn’t think of a more inspiring community than San Francisco, as it has both creativity and technology at its heart.”
Dark Web
Mark Eaton and Ron Najor, co-writers
In Dark Web, an IT specialist is forced to go off the grid in order to stay alive after she is manipulated into hacking and exploiting a large software company.
Mark Eaton is a writer and director who got his start creating imaginative Super 8mm short films. He has written and directed commercials and music videos for a number of artists and brands including Blink-182, Tom DeLonge, Angels & Airwaves, Against Me, Good Old War, Macbeth Footwear, and James Coffee Co., bringing a careful balance of spirit and design to their collaborations. Eaton’s passion for visual narratives continued, directing the feature documentary Start the Machine and producing the independent sci-fi feature film Love. His feature script Dark Web was selected to be part of the Film Independent Screenwriting Labs in 2016.
Ron Najor‘s first production was the feature film I Am Not a Hipster, which was an official selection of the Sundance Film Festival in 2012. He next produced the film Short Term 12, which won both the Grand Jury Prize and the Audience Award at SXSW in 2013. The film appeared on over 30 top-ten lists in 2013 and garnered a Gotham Award for Best Actress for Brie Larson and a Film Independent Spirit Award for Best Editing. Najor feature script Dark Web was selected to be part of the Film Independent Screenwriting Labs in 2016.
“We are thrilled that our script for Dark Web has been selected for the SFFILM Sloan Science in Cinema Filmmaker Fellowship, especially during this crucial time in the project’s development,” said Eaton and Najor in a statement. “As Dark Web is a technology-based story set in the Bay Area, the opportunity to further the project while living and working there will be invaluable to us.”
This program is a part of SFFILM and the Sloan Foundation’s Science in Cinema initiative, which is designed to develop and present new feature films and episodic content that portray fully-drawn scientist and technologist characters; immerse audiences in the challenges and rewards of scientific discovery; and sharpen public awareness of the intersection of science, technology and our daily lives. Leveraging its position in the heart of the innovation capital of the world, SFFILM seeks to forge meaningful links between the artistic and scientific communities through a suite of programs. In addition to the Sloan Science in Cinema Filmmaker Fellowship, the initiative also features the Sloan Science in Cinema Prize, which celebrates a finished narrative feature film each fall; and Sloan Science on Screen, a spotlight program at the San Francisco International Film Festival that debuted in 2016.
For more information about SFFILM’s exhibition, education and filmmaker services programs, visit sffilm.org.