Feb 15, 2012
SFFILM
Kill List (England 2011), Ben Wheatley’s artfully made and unsettling second feature opens an exclusive San Francisco premiere engagement March 16 at SF Film Society Cinema (1746 Post Street).
Ben Wheatley follows up his heralded Down Terrace with another inventive, genre-flouting film. Taking a non-traditional approach to the horror genre, Kill List begins with an uncomfortable dinner party with two hit men in attendance and takes several different dramatic (and, eventually, quite bloody) turns after that. Moving effortlessly from kitchen-sink realism to stakeout humor and ending up in the occult territory of The Wicker Man, Wheatley’s film is consistently unsettling, surprising and shocking. As the London Guardian puts it, “If Ricky Gervais or Mike Leigh made a horror film, it might look something like this.” Written by Amy Jump, Ben Wheatley. Photographed by Laurie Rose. With Neil Maskell, MyAnna Buring, Harry Simpson. 96 min. Distributed by IFC Films.
Showtimes 2:30, 5:00, 7:00, 9:00 pm (2:30 pm show only on March 18 and 20)
Tickets $9 for SFFS members, $11 general, $10 senior/student/disabled. Box office now open online at sffs.org and in person at SF Film Society Cinema.
To request an interview contact hhart@sffs.org.
To request screeners contact bproctor@sffs.org.
For photos and press materials visit sffs.org/pressdownloads.
At SF Film Society Cinema, the stylish state-of-the art theater located in the New People building at 1746 Post Street (Webster/Buchanan) in Japantown, the San Francisco Film Society offers its acclaimed exhibition, education and filmmaker services programs and events on a daily year-round basis.
Upcoming San Francisco Film Society programs
Through February 16: Once Upon a Time in Anatolia Masterful police procedural from acclaimed Turkish director Nuri Bilge Ceylan yields a quietly poignant portrait of the human condition.
Opening February 17: Margaret Anna Paquin stars in Kenneth Lonergan’s drama about a young woman grappling with her feelings of guilt over her role in a tragic accident.
Opening February 24: Roadie Michael Cuesta’s compellingly honest look at youthful rock ‘n’ roll dreams gone awry.
March 8: The Long Day Closes with director Terence Davies in Person New 35mm print of Davies’s expressionistic autobiographical scrapbook of working-class family life in Northern England in the mid-1950s.
Opening March 23: Sound of Noise A delightful comic cocktail mixing a modern urban symphony, a police procedural and a love story.
Opening March 30: House of Pleasures Ambitious and elegantly made, Bertrand Bonello’s film depicts life in a Paris brothel at the turn of the 20th century.
Opening April 6: This Is Not a Film In this profound reflection on the nature of making art, banned Iranian director Jafar Panahi (along with his collaborator Mojtaba Mirtahmasb) discusses his plans for a film he knows he cannot make.
Opening April 13: The Turin Horse This apocalyptic story of the domestic life of a horse-cart driver and his daughter is purportedly Béla Tarr’s last film.