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2024 San Francisco Film Festival to Feature Tributes to Chiwetel Ejiofor, Joan Chen

Curated from almost 5,000 submissions, films featured in the 67th annual festival will screen in theaters in San Francisco’s Marina and Presidio neighborhoods and in Berkeley from April 24 to April 28. Moreover, a selection of titles will be presented from May 2 to May 4 as SFFILM Festival encore days at the historic Roxie Theater.

Films in Competition

Presented at the Festival since its inaugural year in 1957, the Golden Gate Awards (GGAs) are among the most significant honors for emerging global film artists in the United States. Prizes are traditionally awarded in narrative, documentary, and short film categories.

Narrative Short

 
Can We Pretend
Part of Shorts 1: I’m Just a Girl
Short Films
Samantha Toy Ozeas (USA 2023, 12 min)
 
Little Queen
Part of Shorts 1: I’m Just a Girl
Short Films
Julien Guetta (France 2023, 25 min)
 
Muna
Part of Shorts 1: I’m Just a Girl
Short Films
Warda Mohamed (UK 2023, 19 min)
 
Rizoo
Part of Shorts 1: I’m Just a Girl
Short Films
Azadeh Navai (Iran/USA 2023, 16 min)
 
VOID
Part of Shorts 1: I’m Just a Girl
Short Films
Yusuke Iwasaki (Japan 2023, 24 min)
 
Choices
Part of Shorts 2: Of Body and Mind
Short Films
Kameishia Wooten (USA 2022, 12 min)
 
Playground
Part of Shorts 2: Of Body and Mind
Short Films
Raul Villalba (Spain 2023, 16 min)
 
Punta Salinas
Part of Shorts 2: Of Body and Mind
Short Films
Maria del Mar Rosario (Puerto Rico 2023, 16 min)
 
Thirstygirl
Part of Shorts 2: Of Body and Mind
Short Films
Alexandra Qin (USA 2023, 10 min)
 
I Was Here
Part of Shorts 3: Lineages of Love
Short Films
Noëlle Gentile (USA 2023, 17 min)
 
Layover
Part of Shorts 3: Lineages of Love
Short Films
Taylor Sanghyun Lee (USA 2024, 12 min)
 
Bogotá Story
Part of Shorts 4: Migration Flows
Short Films
Esteban Pedraza (Colombia/USA 2023, 16 min)
 
Confused Blood
Part of Shorts 4: Migration Flows
Short Films
James Cutler (South Korea/USA/Australia 2023, 17 min)

Documentary Short

 
Don’t Look Down
Part of Shorts 2: Of Body and Mind
Short Films
Ilanna Barkusky (USA 2023, 8 min)
 
I Did Not Wake Up Dead Today
Part of Shorts 2: Of Body and Mind
Short Films
Erin Macpherson (Belgium, Hungary, Portugal, South Africa 2023, 18 min)
 
The Medallion
Part of Shorts 3: Lineages of Love
Short Films
Ruth Hunduma (UK 2023, 19 min)
 
Salone Love
Part of Shorts 3: Lineages of Love
Short Films
Tajana Tokyo (USA/UK 2023, 5 min)
 
Weekend Visits
Part of Shorts 3: Lineages of Love
Short Films
Pete Quandt (USA 2024, 9 min)
 
Primero, Sueño
Part of Shorts 4: Migration Flows
Short Films
Andrés Lira (USA 2023, 17 min)
 
Until He’s Back
Part of Shorts 4: Migration Flows
Short Films
Jacqueline Baylon (Morocco/Spain 2023, 40 min)
 

Animated Short

 
La Perra
Part of Shorts 2: Of Body and Mind
Short Films
Carla Melo Gampert (Colombia, France 2023, 14 min)\
 
Battery Mommy
Part of Shorts 3: Lineages of Love
Short Films
Seungbae Jeon (South Korea 2023, 8 min)
 
Boat People
Part of Shorts 4: Migration Flows
Short Films
Thao Lam and Kjell Boersma(Canada 2023, 10 min)
 

Bay Area Short Film

 
a film is a goodbye that never ends
Part of Shorts 3: Lineages of Love
Short Films
María Luisa Santos (Costa Rica 2024, 13 min)
 
We Exist in Memory
Part of Shorts 3: Lineages of Love
Short Films
Darian Woehr (USA 2023, 14 min)
 

Narrative Feature

 
Alemania
Narratives: USA
María Zanetti (Argentina/Spain, 2023, 87 min)
 
Banel & Adama
Narratives: International
Ramata-Toulaye Sy (Argentina/France/Portugal/Germany/MexicoSenegal/France/Mali/Qatar, 2023, 87 min)
 
Empty Nets
Narratives: International
Behrooz Karamizade (Germany/Iran, 2023, 101 min)
 
Eureka
Narratives: International
Lisandro Alonso (Argentina/France/Portugal/Germany/Mexico, 2023, 146 min)
 
Great Absence
Narratives: International
Kei Chika-ura (Japan, 2023, 152 min)
 
Heartless
Narratives: International
Nara Normande, Tião (Brazil/France/Italy, 2023, 90 min)
 
The Practice
Narratives: International
Martín Rejtman (Argentina/Chile/Germany/Portugal, 2023, 95 min)
 
Ru
Narratives: International
Charles-Olivier Michaud (Canada, 2023, 116 min)
 
Sidonie in Japan
Narratives: International
Kei Chika-ura (Japan/Switzerland/Germany/France, 2023, 95 min)
 
The Teacher
Narratives: International
Farah Nabulsi (UK/Palestine/Qatar, 2023, 118 min)
 
Wakhri
Documentaries: International
Iram Parveen Bilal (Pakistan/USA, 2023, 99 min)
 

Documentary Feature

 
Agent of Happiness
Documentaries: International
Arun Bhattarai, Dorottya Zurbó (Bhutan/Hungary, 2024, 94 min)
 
Billy & Molly: An Otter Love Story
Documentaries: International
Charlie Hamilton James (UK, 2023, 78 min)
 
Black Box Diaries
Documentaries: International
Shiori Ito (Japan/USA/UK, 2024, 104 min)
 
The Cats of Gokogu Shrine
Documentaries: International
Kazhuiro Soda (Japan/USA, 2024, 119 min)
 
Eternal You
Documentaries: International
Hans Block, Mortiz Riesewieck (Germany/USA, 2024, 87 min)
 
Luther: Never Too Much
Documentaries: USA
Dawn Porter (USA, 2024, 101 min)
 
Mountain Queen: The Summits of Lhakpa Sherpa
Documentaries: International
Lucy Walker (USA, 2024, 98 min)
 
Porcelain War
Documentaries: International
Brendan Bellomo, Slava Leontyev (Ukraine/USA/Russia, 2024, 90 min)
 
Sugarcane
Documentaries: International
Julian Brave NoiseCat, Emily Kassie (Canada/USA, 2024, 107 min)
 
Uncropped
Documentaries: USA
D.W. Young (USA, 2023, 111 min)
 
Zinzindurrunkarratz
Documentaries: International
Oskar Alegría (Spain, 2023, 89 min)
 

Golden Gate Award: Bay Area Documentary

 
Counted Out
Documentaries: USA
Vicki Abeles (USA, 2024, 89 min)
 
Seeking Mavis Beacon
Documentaries: USA
Jazmin Reneé Jones (USA, 2024, 103 min)

Youth Works

 
List of titles coming soon.

Family Films

 
List of titles coming soon.

Meet the SFFILM-Supported filmmakers headed to Sundance 2019

Meet the SFFILM-Supported filmmakers headed to Sundance 2019

Meet the SFFILM-Supported filmmakers headed to Sundance 2019

Sundance is coming! Sundance is coming! This is always a particularly exciting time of year for the SFFILM Makers team, as several of the…

Meet the SFFILM-Supported filmmakers headed to Sundance 2019

Sundance is coming! Sundance is coming! This is always a particularly exciting time of year for the SFFILM Makers team, as several of the films they’ve helped shepherd into existence are on their way to Utah for their snowy premieres. This year, a record SEVEN projects supported by SFFILM grants and development services will be going to Park City for their debuts, kicking off their journey to reach audiences worldwide.
 
“These seven SFFILM-supported films perfectly capture both the organization’s legacy and our recent expansions, from our decade-long relationship with the Kenneth Rainin Foundation and our documentary initiative with the Jenerosity Foundation, to our newly launched partnership with the Dolby Institute,” said Caroline von Kühn, SFFILM Director of Artist Development. “This slate also speaks to our deepening commitment to supporting nonfiction filmmakers and is emblematic of the shift we’ve seen in the artistry and caliber of documentary films nationally and internationally. From the filmmakers and stories that started here in the Bay Area to those from around the world, SFFILM is honored to continue supporting these original independent voices.”

SFFILM–SUPPORTED PROJECTS AT SUNDANCE 2019

Honeyland​​
World Cinema Documentary Competition
(Macedonia) Ljubomir Stefanov, Tamara Kotevska, co-directors; Atanas Georgiev, producer
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
— 2018 SFFILM Documentary Film Fund grant for post-production

Jawline
US Documentary Competition
(USA) Liza Mandelup, director; Bert Hamelinck, Sacha Ben Harroche, Hannah Reyer, producers
The film follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.​
— 2018 SFFILM Documentary Film Fund grant for post-production

The Last Black Man in San Francisco​​
US Dramatic Competition
(USA) Joe Talbot, director; Joe Talbot, Rob Richert, writers; Dede Gardner, Jeremy Kleiner, Christina Oh, Khaliah Neal, Joe Talbot, producers
Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind. ​Cast: Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, Danny Glover.
— Fall 2015 SFFILM Rainin Grant for screenwriting
— Fall 2016 SFFILM Rainin Grant for development
— Fall 2017 SFFILM Rainin Grant for production

Midnight Family​​
US Documentary Competition
(Mexico/USA) Luke Lorentzen, director; Kellen Quinn, Daniela Alatorre, Elena Fortes, producers
In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.
— 2017 SFFILM Documentary Film Fund grant for post-production

Midnight Traveler​
World Cinema Documentary Competition
(USA/Qatar/United Kingdom/Canada) Hassan Fazili, director; Emelie Mahdavian, writer; Emelie Mahdavian, Su Kim, producers
When the Taliban puts a bounty on Afghan director Hassan Fazili’s head, he is forced to flee with his wife and two young daughters. Capturing their uncertain journey, Fazili shows firsthand the dangers facing refugees seeking asylum and the love shared between a family on the run.
— 2018 SFFILM Documentary Film Fund grant for post-production

The Mustang
Premieres
(USA) Laure de Clermont-Tonnerre, director; Laure de Clermont-Tonnerre, Mona Fastvold, Brock Norman Brock, writers; Alain Goldman, producer
While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but learns to confront his violent past as he soothes an especially feisty horse. Cast: Matthias Schoenaerts, Connie Britton, Bruce Dern, Jason Mitchell, Gideon Adlon, Josh Stewart.
 —Spring 2015 SFFILM Rainin Grant for screenwriting

The Sound of Silence​​
US Dramatic Competition
(USA) Michael Tyburski, director; Ben Nabors, Michael Tyburski, writers; Ben Nabors, Michael Prall, Tariq Merhab, Charlie Scully, Mandy Tagger Brockey, Adi Ezroni, producers
A successful “house tuner” in New York City, who calibrates the sound in people’s homes in order to adjust their moods, meets a client with a problem he can’t solve. ​Cast: Peter Sarsgaard, Rashida Jones, Tony Revolori, Austin Pendleton.
— 2018 SFFILM Dolby Fellowship

Other SFFILM–supported films that have premiered at the Sundance Film Festival in recent years include Carlos Lopez Estrada’s Blindspotting; Zachary Heinzerling’s Cutie and the Boxer; Peter Bratt’s Dolores; Peter Nicks’s The Force, which won the festival’s Directing Award for U.S. Documentary in 2017; Ryan Coogler’s Fruitvale Station, which went on to win both the festival’s Grand Jury Prize and Audience Award in the narrative category in 2013; RaMell Ross’s Hale County This Morning, This Evening; Jacob Kornbluth’s Inequality for All; Ira Sach’s Love is Strange; Reinaldo Marcus Green’s Monsters and Men; Gillian Robespierre’s Obvious Child; Jesse Moss’s The Overnighters; Geremy Jasper’s Patti Cake$; Boots Riley’s Sorry to Bother You; and Jeremy Zagar’s We the Animals, among others.

Find out more about the grants, residencies, and fellowships offered by SFFILM Makers here.

By SFFILM on November 28, 2018.

Canonical link

Exported from Medium on March 18, 2023.

SFFILM Announces the Dolby Institute Fellowship

2023 Dolby Institute Fellow Sean Wang World Premieres Dìdi (弟弟) at the 40th Sundance Film Festival Alongside 2021 Dolby Institute Fellow Kobi Libii’s The American Society of Magical Negroes

SFFILM, in partnership with the Dolby Institute, is celebrating the world premieres of two recent fellows at the 40th Sundance Film Festival this month. The fellowship supports narrative feature films from development through post-production.

Created in 2018 as part of an innovative partnership between Dolby and SFFILM, these fellowships were designed to provide an opportunity rarely afforded to independent filmmakers to thoughtfully elevate and deepen the role of sound and image in their finished films with advanced technology from Dolby Laboratories. SFFILM Makers—SFFILM’s artist development program—and the Dolby Institute offer the selected fellows artistic and industry guidance, facilitate introductions, and provide a cash grant allowing them to begin work with a sound designer during the screenwriting stage. Fellows also gain post-production support, with comprehensive sound design, a Dolby Atmos mix, and Dolby Vision color correction and mastering support.

The 2023 Dolby Institute Fellow is filmmaker Sean Wang and his film Dìdi (弟弟) which will have its world premiere at the 2024 Sundance Film Festival. The film tells the story of the last month of summer before high school begins. An impressionable thirteen-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.

“Writer and director Sean Wang’s script for Dìdi (弟弟) captured our attention with his vivid portrayal of the heart and experience of a young boy living in Fremont, California in 2008. And we are thrilled to collaborate again with producer Carlos López Estrada. We are excited to give Sean access to Dolby Vision and Dolby Atmos technology through this fellowship grant to bring the sights and sounds of that world to spectacular life.” Glenn Kiser, Director of the Dolby Institute.

“Our partnership with the Dolby Institute continues to give independent filmmakers astounding access to development of sound and image at every stage of the creative process, something normally reserved for major studio productions” said Masashi Niwano, Director of Artist Development at SFFILM. “Sean’s film benefits from Dolby’s guidance and tools which allows him to stay focused on the story he is telling. We are also thrilled to celebrate two Sundance premieres. Sean will be alongside our 2021 Dolby Institute Fellow, Kobi Libii.”

About the Dolby Institute

The Dolby Institute was created to educate, inspire, and empower the next generation of content creators. Through educational programs, strategic partnerships, and direct artist support, we help creatives think critically and creatively about sound and image, unlocking the power of technology to help tell their stories. To learn more about the Dolby Institute Fellowships or Sound + Image Lab: The Dolby Institute Podcast, visit https://www.dolby.com/institute/

About Dolby Laboratories

Dolby Laboratories (NYSE: DLB) is based in San Francisco, California with offices around the globe. From movies and TV shows, to apps, music, sports and gaming, Dolby transforms the science of sight and sound into spectacular experiences for billions of people worldwide. We partner with artists, storytellers, developers, and businesses to revolutionize entertainment and communications with Dolby Atmos, Dolby Vision, Dolby Cinema, and Dolby.io.

Dolby, Dolby Atmos, Dolby Vision, Dolby Cinema, Dolby.io, and the double-D symbol are among the registered and unregistered trademarks of Dolby Laboratories, Inc. in the United States and/or other countries. Other trademarks remain the property of their respective owners.

SFFILM

SFFILM is a nonprofit organization whose mission ensures independent voices in film are welcomed, heard, and given the resources to thrive. SFFILM inspires and connects audiences, students and teachers, and filmmakers through film exhibition, youth education, and artist development programs. Annual public film programs presented by SFFILM include the San Francisco International Film Festival (SFFILM Festival) which is the longest running film festival in the Americas, Doc Stories documentary series, special events with the best and brightest in contemporary film, and family programming. SFFILM Education serves more than 15,000 students and educators with learning opportunities designed to cultivate media literacy, global citizenship, and a lifelong love of movies. SFFILM Makers supports the careers of independent filmmakers from the Bay Area and beyond with grants, residencies, and other creative development services.

INFORMATION

For general information visit sffilm.org
For press requests, please contact JCPR&C, Nicole Kerr at nicole@jcpr-c.com
For the SFFILM Press Office, please email press@sffilm.org
For images and press materials, visit sffilm.org/press
To learn more about Dolby Laboratories, visit, sloan.org

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Box Office Manager

Overview

This position has been filled for the 2024 SFFILM Festival.

Reporting to the Director of Operations, the Box Office Manager will have a key role in customer service during the 2024 San Francisco International Film Festival. They will oversee the hiring, scheduling, and management of box office cashiers, as well as the setup and deployment of hardware. This role will also serve as a main point of contact for all accessibility accommodation requests, and will work closely with the Theater Operations team to ensure patrons requesting accommodations are taken care of. Working closely with our box office contractor (Boxcubed), this position will be expected to develop a strong understanding of our Agile ticketing software and all of SFFILM’s products, such as passes and memberships.

This position is expected to provide on-site support for the 5 day, in-person SFFILM Festival (April 24 – 28) in venues across the San Francisco Bay Area, as well as several pre-fest launch events, and to work in accordance with in-office requirements as determined by organization-wide and department policies. Some night and weekend availability is required.

Application review begins January 22 but will be rolling after that. This position is paid hourly at the rate of $23 per hour and is eligible for overtime. The start date for this position is March 4, 2024 and the end date is May 9, 2024.

Responsibilities

  • Hire, schedule, and supervise all box office cashiers.
  • Serve as the main point of contact for escalating box office and customer service issues during the festival.
  • Develop a strong understanding of Agile ticketing software and all SFFILM products (such as passes and memberships), to support customer service inquiries both pre-event and onsite at venues.
  • Manage all necessary box office hardware, including setting up and troubleshooting devices and training staff and volunteers as needed.
  • Respond in a timely manner to all box office related questions via phone and email.
  • Serve as the main point of contact for accessibility accommodation requests leading up to and during the festival, answering a high volume of emails and working closely with the Theater Operations team to ensure staff at venues are aware of any accessibility requests.
  • Work with our box office vendor to fulfill internal ticket requests, escalating capacity questions as appropriate.
  • Work with our Press Office and Guest Office teams to fulfill ticket requests on the ground during the Festival.
  • Work closely with our box office vendor, ticketing software, and Communications team to understand box office reports, ticket holds, etc. 
  • Coordinate with venues and SFFILM IT contractors to ensure all technology needs are met, including wi-fi at all venues.
  • Coordinate with the Office & Production Manager on box office load ins and load outs.
  • Draft and update Festival Box Office budget for staffing and supplies, and track and submit all payments and expenses.
  • Create a written wrap-report and summary of all necessary timeline information

Qualifications

  • At least 1-2 years experience in a box office or ticketing role, with a preference for festival or event ticketing.
  • Excellent communication and customer service skills.
  • Experience managing a team, with strong ability to delegate.
  • Excellent decision-making and creative problem-solving skills.
  • Ability to learn new software and systems quickly, and a general savviness for troubleshooting technology.
  • Ability to juggle multiple tasks and deadlines across several Festival spaces while maintaining high quality of work and a positive attitude.
  • At ease interacting with people with vastly different backgrounds and roles.
  • Comfortable with the heavy lifting and labor inherent in loading in and out festival sites.

SFFILM is deeply committed to Diversity, Equity, Accessibility, and Inclusion (DEAI) in both its internal management and external programming. Since 2018, the organization has actively been working in collaboration with two Advisory Boards focused on accessibility and inclusivity and officially began work with a DEI consultant in 2019 to further invest in and build on that work. Candidates are invited to discuss their interest and involvement in DEAI practices in their cover letter, and ask us more about our DEAI process in their interview.

SFFILM, in accordance with federal and state law, is an equal-opportunity employer. SFFILM does not discriminate on the basis of race, color, national origin, religion, sexual orientation, gender identity, pregnancy/childbirth, medical condition, disability, age, ancestry, marital status, citizenship or veteran status. This nondiscrimination policy covers all candidates, staff members, interns, and volunteers.

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