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Blog > SFCM Joins SFFILM in Innovative Student Film Score Program
SFCM Joins SFFILM in Innovative Student Film Score Program
Nov 1, 2024
Students from the San Francisco Conservatory of Music (SFCM) to work with SFFILM-supported filmmakers to compose original film scores set to screen at the 68th San Francisco International Film Festival in April 2025.
Shared with permission. Story by Mark Taylor, SFCM. Originally posted on October 16, 2024.
SFCM students Rafe Axne and Theo Popov. Photo Courtesy of SFCM
Picture a world where a students’ musical dreams reach the magic of the silver screen faster than ever before. That’s becoming a reality as the San Francisco Conservatory of Music (SFCM) and SFFILM join forces for a groundbreaking collaboration.
For student Theo Popov (‘25) it’s a long-time wish come true. “Young composers rarely get a shot to work on movies that reach such a wide audience, so it feels like SFCM is propelling us forward in our careers before we’ve even graduated!” Popov said.
Popov is one of 15 Technology and Applied Composition (TAC) students at SFCM who will spend the next year collaborating with SFFILM-supported directors to to provide original score, sound design, and sound mix for films that will be presented during the annual San Francisco International Film Festival in April 2025.
Studio G inside SFCM’s Bowes Center. Photo Courtesy of SFCM.
“This new partnership gives our composers, sound designers, and producers real-world experience as they work alongside amazingly talented filmmakers,” said Executive Director of the TAC program Steven Horowitz. “Directors will have a chance to polish and complete their soundtracks in our state-of-the-art studios alongside our young composers. Perhaps best of all, these projects will become part of the 68th San Francisco International Film Festival.”
SFFILM is northern California’s premiere film organization. Since 1957, SFFILM has produced the longest-running film festival in the Americas, and has grown to provide a comprehensive artist development program for new generations of filmmakers through grants, fellowships, and residencies.
“This new collaboration allows us to shine a spotlight on the process of music and sound design, focus on cross-discipline collaborations, and celebrate the cinematic form in a unique way,” said Anne Lai, SFFILM’s Executive Director. “Our desire to provide access, resources, and expertise to ensure that independent voices in film can thrive through all stages—from development to being seen—is what drives our mission forward. We’re delighted to launch this new partnership with SFCM.”
Masashi Niwano, the Director of SFFILM’s Artist Development program concurs, “The SFFILM Sound and Cinema Fellowship exemplifies our mission by uniting our SFFILM supported filmmakers with SFCM’s Technology and Applied Composition (TAC) students to create original, independent work, and to have the opportunity to be showcased at our Festival.”
SFCM TAC students in class. Photo Courtesy of SFCM.
Over the school year, as part of their course curriculum, TAC students will essentially become a given film’s music and sound department, working with directors on four different short films. Directors and their films come from SFFILM’s FilmHouse Residency program, which provides San Francisco Bay Area-based filmmakers with artistic guidance and support from established film industry professionals.
The San Francisco International Film Festival produced by SFFILM is renowned for bringing voices and stories from around the world to audiences in the San Francisco Bay. In addition to exhibiting completed films, SFFILM provides support to all stages of filmmakers’ careers and creates opportunities for growth around every stage of filmmaking from development to post production.
For the students involved, they can’t wait to get started. “I’ve never worked on a project this big before, and it’s really exciting,” said student Rafe Axne (‘26). “Getting exposed to some of the work we’ll be doing in the future as composers and sound designers this early on is invaluable experience. I’m excited to get to know the producers and directors and work with them to make their film come to life,” he added.
TAC students Rafe Axne and Theo Popov. Photo Courtesy of SFCM.
“This project also does something else that is very important,” Horowitz added of this unique partnership. “It brings together two vital SF artistic communities that will help to raise the bar and foster a more vibrant and cohesive climate for all Bay Area artists. I really think this kind of collaboration between organizations is a big win-win for the entire SF creative arts scene.”
At the conclusion of the program, the films will be presented, with directors and composers in attendance, in a screening on campus as part of the SFFILM Festival in April 2025.
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