The Devil Smokes

Telling the story of five siblings fending for themselves in the wake of parental abandonment, this tender, well-crafted film won Berlinale’s inaugural Perspectives Award for fiction debut. It’s 1990 and Mexico eagerly awaits the second visit of Pope John Paul II while the Palacios López family wrangles with a different visitation, real or imagined. When the quintet’s mom disappears and five pairs of shoes appear out of nowhere, imaginative youngster Victor claims, “The Devil brought them.” Their unstable grandmother Romana, left behind as caretaker when the kids’ father goes to find his wife, encourages the thought that something malevolent is at work. In a tale replete with generational mental health issues, superstition, and religious belief, director Ernesto Martínez Bucio employs an impressively diverse style with home movie footage that fills in important backstory information and tight close-ups that reflect the increasingly claustrophobic tension in the household. Stellar performances from a very young cast of non-professionals further buoys the narrative. —Rod Armstrong